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I have confidence in Semi-Final 1…

Ok, ahead of tonight here’s my thoughts on the dress rehearsal – see if anything has changed my mind.

The opening sequence sees Conchita Wurst welcome us to the 2015 Eurovision Song Contest. An lengthy sequence will see all a participants parade through the arena. This is them metaphorically building a bridge between the artists’ green room at the back of the arena and the stage.

There is the (now) obligatory reprise of Rise Like A Phoenix, which gets a change of tempo and an extended performance. The arena looks stunning on the screen – can’t wait to see to tonight!

An enjoyable start, and the three female hosts will get the proceedings underwaay

01 Moldova

An energetic performance, with backing dancers dressed as sexy cops – only at Eurovision – or at a stag or hen do! 😀

02 Armenia

The vocal was a bit pitchy. You will like how it is presented probably more than the song. Nice touch as the six vocalists stand on a map to literally mark their territory. Still a hot mess, can’t see it getting through.

03 Belgium

A great vocal from Loïc on this song, with some ‘interesting choreography. Mind you, you might want to avoid Loïc’s creepy stare in places! This one’s a sleeper, we think. Will do well – there aren’t really that many songs that might capture the younger audience.

04 The Netherlands

Some weird lighting and staging for this one. Poor Trijntje hasn’t exactly been well lit. I still like the song, not sure that the presentation adds anything to the song. I thought is was going through, not sure now!

05 Finland

A suitably lo-fi performance to accompany the mood of the track. Some applause for it here in the press centre

06 Greece

There is indeed a wind machine! And a pretty frock! I know my Eurovision.

07 Estonia

The best so far. Sassy and confident staging – you will like the effect of the shadows on stage (not The shadows, their shadows rather!). If they don’t get too pitchy and flat this really will fly through. Great reaction in the press centre, judging by the applause the best so far!

08 Macedonia

There are indeed autumn leaves falling in the background for the Macedonian entry. Daniel Kajmakoski is also ably assisted on backing vocals by what looks like Boyz II Men! It looks and sound goods. Like I said earlier, nothing much like it in this semi, so I think it’ll get through.

09 Serbia

Blimey. Serbian singer Bojana gives it some welly! It’s our first big-hands-in-the-air type of tune. 10 out of 10 for effort, but perhaps it’s all a bit too much, with masks flying and vecro ripping outfits… Click here to watch.

10 Hungary

Some nice visuals and good effort on the presentation. Finishes nicely, but somewhere in the middle my mind starts to wander. Click here to watch.

11 Belarus

Uzari gives us some of his best rock poses in this performance – fist clenching with conviction. Violinist Maimuna is a dead ringer for Mylene Klass! Maybe she’s moonlighting! Sounds better with the performance than without, for me. Which is a good thing

12 Russia

As I said yesterday, it’s hard not to be cynical about the sentiment of the song. It’ll be the Marmite song (perhaps with Finland) – love it, or hate it. Love it because the song is actually really, really good, or hate it because of what happens beyond the fringes of the contest. For some it’s a case of oil and water – and the mix can’t work. For me it’s a case of Marmite. I like Marmite.

13 Denmark

The staging is as dynamic as the song – it looks great on telly. Good energy and familiar (and cool) vibes will see this through – and again, there are very few songs such as this will to appeal to the younger audience.

14 Albania

Reminds me of the song “Apricot Stone” from Oslo in 2010 – but at a slower tempo. Might be one for you to refresh your drink and top-up the snacks! Nice, but nice doesn’t win Eurovision.

15 Romania

Good vocals. Performance is a bit static, but the camera angles and backdrop visuals add a poignancy to the performance. I think is going through, Ruxandra!

16 Georgia

Gary Westhead, you will like this performance! 😀 Visually dynamic. Nina Sublatti gives is some welly for Georgia, and her boots are made for walking into the final…

I think it’s going to be a great show. Looks amazing on the telly – should look even better in the arena (although we do lose some of the intimacy of the television presentation. Stunning stage design and lighting and visual effects will have you hooked.

Next, the napkin of death…  stay tuned…

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Let’s start at the very beginning…

It’s a very sunny Tuesday here in Vienna, with temperatures at the moment in the mid-20s. I have finally made it to the arena, collected my accreditation and I am now in-situ with Prof Brian Singleton in the press centre. We won’t make it into the arena until tonight, but we will be watching the last dress rehearsal this afternoon on the large screen in the press centre.

FYI, Brian will be tweeting throughout the contest representing our ERN (Eurovision Research Network) activities and opinions. Follow Brian @eurovisionern and retweet freely! We’re up and going as of now!

Here’s the scene from the press centre…

Building exterior

PC1 PC2It’s a roomy and cool press centre, and already there is a nice background buzz about the place. It seems busier than normal at this time of the week than in previous years. It is normally on the Thursday of the second-semi that the press centre gets really busy. It’s going to be a comfortable place to report from this week.

A photo from our excursion into town last night of the cathedral, below. Beautiful building, and I’ll get more of a feel of the city and post more pics throughout the week.

cathedral

More later…

 

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The hill’s aren’t yet alive with the sound of music…

How difficult can it be to get from departure point A (Southport), to destination B (Vienna). Erm, well extremely, as it happens! Prior to departure I had a frustrating Sunday afternoon trying to check-in online via the Brussels Airlines website. I cannot recommend their user interface! After a little bit of user error on my part I successfully managed to check-in for my connecting flight from Manchester to Brussels. Sorted. However, could I then book to get from Brussels to Vienna – no! Arriving at Manchester airport yesterday the problem was solved – I got the boarding card for Brussels to Vienna at regular check-in desk – simples! I thought that was me done with worrying about travel arrangements for the day. Erm, no!

I then had to get through Brussels Airport to my connecting flight. International connecting flights are usually quite straightforward to navigate, aren’t they. Erm, no – not here. With a window of just over 70 minutes to get from the plane to the gate there was a rather long wait for the bus taking us from the plane to the terminal, and then I was greeted by one of those queues that you see when you go to amusement parks like Alton Towers. You know the drill: you turn the corner expecting to see the Oblivion ride, for example, only to be faced with hundreds of people standing as far as the eye can see in front of you. Not what you need when you have such a short transfer window!

Many people, myself included, were slightly bemused when staff wearing ‘Happy To Help’ t-shirts told us that there was no queue jumping allowed, even if you have a 70 minute transfer window. Absolutely shocking! Well, you might have guessed how it played out – and yup, it doesn’t end well. Eventually made it to the gate – but too late.

This is a first for me – I have never missed a flight before. I’d probably be feeling a little more chilled about that but I was meeting my good friend Professor Brian Singleton at Vienna airport to catch our taxi to the hotel. It was also the plan for us to get to the arena for the first dress rehearsal of the first semi-final. Well, that didn’t happen! A five-hour layover in Brussels airport, saw me will eventually get me into Vienna about 5.30pm local time.

The hotel is comfy and I have a balcony! We are not staying in the centre of Austria, rather on the outskirts and quite near to the arena – which will be a bonus on the three evenings this week we will be there. Getting into the city is easy thanks to great subway links. We did venture out last night for dinner, which we had near to the Cathedral.

So, a long day for me yesterday, and unfortunately my friends, I have no pics from the arena and the first dress rehearsal. What I have done is to review the runners and riders for the first semi-final, which you can watch tonight (Tuesday) on BBC3 at 8pm.

01 Moldova

As I said during my panel at the recent 60th Anniversary Conference for Eurovision held at Bafta a few weeks back, familiarity breeds popularity. We warm to some songs more quickly than others because we’ve heard it before, even though we haven’t (if you see what I mean!). This means that, once again this year, there are songs that have a whiff of other well known songs. For some it will be a bonus, but for others it might be a case of ‘heard it all before, don’t want to hear it again’ (you might remember the German entry from 2013, “Glorious” sounded a bit too similar to the previous winning song in 2012, “Euphoria” – it sank without a trace).

You will find our first song of 2015 rather familiar. Think Liberty X and their song “Just A Little”, and you’ll be bob on. It’s an up-tempo song, not a bad start.

02 Armenia

Armenia had a top five finish last year, and they might have been hoping to repeat that success in 2015. I can’t see it happening. In fact, I think it’s a hot mess! Nice idea to bring the six singers together from five different continents, but I just can’t warm to the track. Like a few songs this year, it’s a bit of a mash-up of different styles. Sadly it doesn’t work for me.

03 Belgium

Ok, bad experience in Belgium’s main airport today, but that said, this is a really good song. You will like the quirky performance style of our man Loïc Nottet, but the song is catchy and should do well for Belgium. I think it sounds a bit like Lorde’s “Royals”. One of the more contemporary songs on offer this year, and it should get to the final.

04 The Netherlands

I’ll have a consonant, consonant, vowel, consonant, consonant, consonant, consonant, vowel, consonant – please. And that should give us the name of our Dutch singer, Trijntje! She’s singing a laid-back mid-tempo song, with a few ‘new country’ shades in the mix. It’s an easy listen, and catchy – partly because of the repeated lyric “why-why-i-i-i, why-i-i-I”. I hope it gets though. After a runners-up result last year with the fabulous Common Linnets, it would be good to see The Netherlands consolidate their good run of the past couple of years.

05 Finland

This probably what you might consider an anti-Eurovision song. Finland has gone a bit punk on us, and with a track that doesn’t make ninety seconds. For some the fact that the bands are a group of musicians with down’s syndrome is a bit of interest. The betting odds say it’ll get though – I’m not so sure.

06 Greece

This is the fist time that Greece have sent a ballad to the contest since 2006. Ordinarily they have been a shoe-in to make it to the final. I think this is a tricky year for them, as there are much better ballads in the mix, and essentially in light of a pretty bland song, Maria might just be seen as another pretty singer in another pretty frock. Mind you, if it has a wind machine…

07 Estonia

Seven songs in and we get our first real contender to win the ESC this year. Whilst there are eight couples/duets in the contest this year, this is one of the top three (with Lithuania and Norway being the other two). A good double-hander from Elina and Stig will see them sail through to the final. It’s one of my top five of the year, probably top three.

08 Macedonia

Our first slightly ethnic entry of the year – and it finds Macedonia on familiar ground, onto which “Autumn Leaves” are falling. I like it, and think it will get to the final- nothing else sounds like it in this semi, so that will help. Although I hear from Brian that the song has had a remix and so I might have to rethink.

09 Serbia

Bojana’s song has one of the more ‘heal the world’ sentiments from the crop of songs this year – Russia will be on similar ground later in this semi-final. This song is all about beauty coming from inside, and all that jazz. It’s kinda inspirational and uplifting lyrics might chime with some, but the track is another mash-up of styles and it builds oddly for me. Serbia sat the contest out last year, and failed to qualify in 2013. Not sure that they will again this year. But if the sentiment connects, then it might.

10 Hungary

Boggie (all too close to typing bogie there!) is also tickling our socially conscious buttons with “Wars For Nothing”. A breathless and light vocal, mixed with the folky-vibe might be a bit too subtle set against some of the more powerful songs. It was top five in the final for them last year – that won’t be the case in 2015.

11 Belarus

A bit of a slow build for this song – perhaps a bit too long. A bit of a pedestrian song, which should actually be called “Thunder”, as that, rather than the title “Time”, gets more of a mention and is the real lyric hook. Some handclaps and a bit of a fiddle towards the end doesn’t save the song. Could well be taxi for Belarus…

12 Russia

Ok, setting aside all of our concerns about Russia’s political agenda and human right issues, this is one of five songs that will be battling to win on Saturday night. You want power? You want ballad. You’ve got it – it’s a power ballad. I’d say it’s the most powerful of the lot! (it’s carpets, it’s madness, it’s carpet madness!). From the rehearsal footage I viewed online via www.eurovision.tv it’s a great vocal, although the staging looked a bit dull. Yes, it was only rehearsal footage and tweaks will be made I guess. You might baulk at the all-too-obvious message from Russia this year – love us, and we love you – “a million voices” singing together. Well, not all the voices are similarly minded, so it will be interesting to see how the voting goes on Saturday night. I can’t see the expert juries marking it down, and a top five finish looks highly likely, with some giddy fans thinking it might just win. Well, for me it wins the battle of the ballads. Carpet madness, indeed! 😀

13 Denmark

And the award for the best act this year goes to this lot – Anti Social Media! Great name. A familiar theme once again for this song, as you have heard its type before. I’m channelling McFly for this one. Nice harmonies, familiar melody and tempo. They have sharp haircuts and sharp suites, and I can’t see any reason why we don’t see this again on Saturday night.

14 Albania

Reminds me of the song “Apricot Stone” from Oslo in 2010 – but at a slower tempo. Might be one for you to refresh your drink and top-up the snacks! Nice, but nice doesn’t win Eurovision.

15 Romania

My dear friend and colleague, Ruxandra, has doubts that her home country will make it to the final this year. If they don’t it would be a major upset, as Romania are one of the ‘bankers’ each year. Well, they might need the diaspora vote from around Europe, because it’s not one of their best entries.

16 Georgia

We end the first semi-final in fighting spirit with the first of two songs called “Warrior” this week. I actually prefer Malta’s effort on Thursday, but this is a spirited song and performance, and if it’s staged well then it should go through to the final on Saturday night.

So, there you have it, the first batch of euro-hopefuls ready to entertain us all tonight. Later today (Tuesday) I will be at the press centre to watch the final rehearsal for tonight, so I’ll update my review based on what I have seen, and not just what I have heard, so check back later for the sights and sounds of ESC 2015. Your local euro-pundits will also meet later to do our ‘napkin of death’. That will determine who we think is going through and who we think is going home. Who will be on your list? Why not leave me a comment with your top ten!

Stay tuned for more later…

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ESC@60: Bafta and the Bearded Lady…

What a great day in London last week for the Eurovision Song Contest 60th Anniversary Conference, and what an honor to have been invited to attend.

Fist Bafta pic

The European Broadcasting Union (EBU) convened a brilliant event, with an interesting mix of academics, journalists, winners of the ESC, as well as fans and people from the EBU who organise the contest.

ESC 60 wall

The event took place at Bafta HQ – and this is the closest I will ever get to a Bafta, so “Dr Eurovsion” and I took the obligatory photo opp… (nice jackets, huh?!)

PJs at Bafta

There were two excellent keynotes from my good friends Karen Fricker and Paul Jordan (names that will be familiar to regular readers of this blog over the years), as well as panels on ‘ritual’, ‘innovation’, and ‘inspiration’, in relation to the ESC. All lively discussions, and I had front row seats for the whole proceedings.

Thanks for the positive feedback from those of you who were watching my panel via the live streaming last Friday. Should you want to relive the day (I know some had a bit of technical difficulty accessing the feed), you can do so by clicking here. My panel is about 1 hr 10 mins in.

The panel on inspiration included Fraser Nelson, editor of The Spectator, (left) who showed a surprising affinity with the ESC! You might have seen some of his comments in the media? I thought his comments were well made! And he bashed the BBC on their poor performance in terms of our song selection in recent years, which to be fair they kinda deserve if you are a frustrated Eurovision fan, or music fan.

panel

The panel on innovation brought out the EBU big-guns, including Jon Ola Sand – Executive Supervisor for the ESC (left)…

panel 2There were questions to the panel about the political undertones to the contest, and particularly the audience reaction (booing in the arena) to the Russian entry last year. The EBU maintained their line on the ESC being about the songs and not about the external politics. A difficult issue for some, but the point was made. There was also a bit of BBC bashing from the Q&A in the audience. Guy Freeman (second right) is Head of the BBC delegation, and many comments related to the seemingly indifferent attitude of the BBC to our song selection. There were repeated attempts by the moderator of the day, broadcaster Paddy O’Connell, to steer the topic away from the UK at Eurovision (he did a great job all day, btw), but those tricky questions and comments kept on coming! I quite like our entry this year, but we need not worry about the UK hosting the ESC next year. I think we’ll be off to Sweden again in 2016…

By mid-afternoon the energy levels at Bafta HQ were beginning to flag. But hang on, who is sitting three people away from me? Blimey – it’s only Conchita Wurst!

Conchita audience

Conchita took to the stage to be interviewed by Paddy O’Connell, and she was on top form. And she’s funny! When asked why she kept her performance last year fairly simple on stage, she responded “Because I like to stand still”. Clearly the significance of her victory last year still resonates, in terms of human rights and LGBT issues. At a meeting with Ban Ki-moon last year, he commented that her Eurovision victory really does send a “powerful message” for the promotion of respect for diversity. 

conchita

By the evening I was on a train back to Southport, and I had also made it into the EBU’s press release! You can see that here. Awesome!

We have now had a few weeks of celebrating the 60th Anniversary. What’s great is that I now have a focus for my next phase of Eurovision research: the panel on ritual really didn’t get off the ground in terms of the focus I would have thought it would, and so I’ll be working on that in the near future. More importantly for now, it’s time to get ready for Austria – the first semi-final is just a few weeks away (19 May), with the grand final on 23 May. I’ll be in Vienna, and I’ve been accredited by the EBU to be there during the week for the build-up and rehearsals. Great stuff.

In the meantime, I’ll finish with a musical interlude from Conchita Wurst, with her new single, “We Are Unstoppable”. Well, we are you know…

 

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ESC@60: more than music…

I hope you enjoyed “Eurovision’s Greatest Hits” a couple of weeks ago. It certainly lived-up to its title, and paraded an entertaining selection of Eurovision alumni. I liked the partnership between presenters Petra and Graham. I think she had the better gags and was more entertaining, and there were enough different acts to keep us all happy. I guess it’ll still be on BBC iPlayer for those who missed it?

As I mentioned in my previous post I have been personally invited to attend the EBU’s 60th anniversary conference, which takes place in London at BAFTA HQ tomorrow.

esc_60th_anniversary_logo_rgb_whiteBG

I do feel privileged and honoured to be there. I have been researching the ESC for over a decade now, and it is still a really fertile area of academic research. I am delighted that my contribution is being acknowledged, as well as my profile.

There is a fascinating line-up of academics, media specialists, representatives from the EBU, fans and former winner. There are a few couple of Keynote speakers who I know very well: my good friends Dr Karen Fricker and our (the UK’s) very own “Dr Eurovision”, Dr Paul Jordan. Good news is that he will once again be part of the BBC3 broadcasts of the semi-finals this year in Vienna.

There are panels which have been convened around various themes. I am on the first panel of the day which is considering how the ESC is a ritual. You can follow the whole day via www.eurovision.tv, as it will be streaming live (be sure to check out new jacket!). It starts at 10.00am, and my panel is at 11.00am, so if you are interested to see a lively conversation with myself, good friend Professor Brian Singleton, and former winner Dave Benton (Estonia 2001) tune in.

Right, I’m off to London. Hope it’s a bit cooler down there!

 

 

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ESC@60: Congratulations and celebrations…

Hi everyone.

Rebooting my Eurovision blog doesn’t usually occur until April/May each year, as we enjoy the build-up to the Contest during my stay in the host city. As it happens, 2015 marks a significant anniversary for the Eurovision Song Contest and so it seems only fitting that the blog is back to celebrate the 60th anniversary of this wonderful event.

Ahead of the actual Contest in May, the European Broadcasting Union (EBU) have organised a couple of events. First we have Eurovision’s Greatest Hits. You will probably have seen the promo trailer on the BBC, ahead of the television broadcast on BBC1, this Friday at 9.00pm. Then at the end of April there is a 60th Anniversary Conference, which is to be held at Bafta HQ in London. I have been invited to contribute to the conference proceedings, which is an absolute honour and a delight. I will share with you more details about that event on this blog soon.

Before we look forward to all thing Eurovish 2015 , I guess it’s time to look back for a bit, and revel in getting all nostalgic and giddy about the Eurovision Song Contest over the years. So, with that said, I guess that this is the starting point for the Eurovision season on the blog this year…

p02lm1ry

Yes, what better way to reflect on the past 60 years* than to bring together winning acts and fan favourites for this star-studded special event. Tonight (Tuesday 31 March) London’s glittering Hammersmith Apollo will host Eurovision’s Greatest Hits. A few of my pals will be there. Me, I’ll enjoy it on the telly on Friday night.

ESCHH2

*(well, it is actually only 59 years – the first television broadcast was in 1956 –  but let’s not ruin the moment with a technicality!)

The proceedings are in safe hands, being presented by our very own Graham Norton, and the rather entertaining Swedish presenter Petra Mede. Some of you might remember her when she hosted the ESC in Malmö back in 2013, when she did a great job. She certainly knew her crowd, openly acknowledging all the dancing queens that were there! I’m hoping that Graham and Petra deliver a funny script that is both humorous and nostalgic. The acts that are scheduled to appear should also do that, and we will all be transported back in time to share our Eurovision memories once again.

The list of Greatest Hits being lined-up might cause some fans to raise an eyebrow and cover their ears (it’s all subjective at the end of the day, isn’t it), but with appearances including the UK’s Brotherhood of Man (1976), Ireland’s Johnny Logan (1980 and 1987), Loreen (Sweden 2012) and Conchita Wurst (our reigning champ from Austria) it means that all ages and music tastes are represented.

I will be discussing some of what I think are the greatest Eurovision hits in my next post, and if you would like to share your Eurovision memories, drop me an email ([email protected]) and I’ll compile a list.

What is Edge Hill’s favourite Eurovision song? It’d be fun to find out!

It’s good to be back with you, fellow Eurofans!   😀

 

 

 

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S’wonderful…

What a great final of the Eurovision Song Contest last night. I had a ball – and I hope that you did too. You know how much I like (love) the Austrian entry, but I don’t think I’d ever imagined that it would win. It’s brilliant that it did! Looks like we’re of to Vienna in 2015…

This last week has been very busy, but as always it’s very enjoyable. I am looking forward to returning home, but not to the pile of marking that awaits me tomorrow! Copenhagen has been a comfortable host city. The venue is probably the most disappointing aspect of the week. It was a bit of a dump to be honest. The shabby shell housed the awesome arena and stage, and the good news is that it didn’t dampen the spirits of the audience this week.

To us fans, the Eurovision is a marathon, not a sprint. Most of the national finals kick-off at the start of the year, and we’ve been living with the songs for months now. There will be some songs that I will rarely listen to when I get home, whilst there are some songs that I know will be classics: Austria, The Netherlands, Sweden to name just three. Looking at iTunes across Europe today shows Conchita and The Common Linnets leading the way in terms of popularity. It’s good to see that, across all charts, Eurovision entries are clearly popular – good news for a song contest! I think that the big song will actually be The Common Linnets – I can see Radio 2 latch on to it, as I said at the start of the week.

So I’ll sign-off now, time to pack and make the short trip to the airport. Thanks for reading this week, and I hope you’ve enjoyed reading about my Eurovision experience in wonderful, wonderful Copenhagen.

Farvel!

😀

 

 

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#It’s time!

Here we go guys!

Time for us to to start our Eurovision party! Whatever you are doing, and wherever you are doing, and whomever you are doing it with, I hope you have a ball.

As always big hugs go to my bestest Eurovision buddy back home, none other than Rachel Rolfe. Have a ball tonight, darling. To the rest of you, thanks for reading my travels and exploits this week. I hope that, in some small way, I have added to your Eurovision experience.  I don’t know what’s going to happen, but I am sure that we will have loads to talk about tomorrow.

Here is how our jury have voted tonight, and how we think the songs will be placed. How about your list?

  1. Sweden
  2. Denmark
  3. Austria
  4. The Netherlands
  5. Greece
  6. United Kingdom
  7. Armenia
  8. Norway
  9. Ukraine
  10. Hungary
  11. Finland
  12. Spain
  13. Azerbaijan
  14. Poland
  15. Russia
  16. Romania
  17. Iceland
  18. Malta
  19. Switzerland
  20. Belarus
  21. Slovenia
  22. Montenegro
  23. France
  24. Italy
  25. Germany
  26. San Marino

Love to all back home! 😀 xx

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Power to the people…

…these are the final lyrics that you will hear from the songs competing tonight. We can dream a little and hope that they will be the last sung after the encore as Molly brings the title back home to the UK, for the first time since 1997. We already have a successful song as Molly is in the midweek charts top 40, and her performance tonight will propel it higher for when the official UK chart is announced tomorrow.

You will enjoy the performance, and it is fantastic to hear it get a great reception in the arena. And, as I mentioned in my previous post, singing after all the other songs should hopefully give us a boost.

Most importantly, will I win my bet with John Cater? Five quid says the UK will finish in the top ten (goes to me), five quid says it doesn’t (goes to John). Just a bit of fun, and I’m sure John is good for it!

Our final full day in CPH, another cloudy day, but with more exploring to do (no visit to the arena today)…

2014-05-10 13.12.03I visited CPH way back in 1988 – a school trip after I finished my A levels – and I vaguely remember visiting the little mermaid. It felt almost obligatory to do that again on this trip. You know – the full tourist experience and all that. A nice walk through CPH with Brian Singleton to this tourist attraction also showed me the venue from across the water…

2014-05-10 13.49.33Around the corner, a short walk, and there she was…

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…and a tourist board’s dream: the venue as a backdrop to this iconic statue…

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That box ticked, it was back through town and the ‘Fan Mile’ for the last time. You can see that it is much busier today – a great vibe and buzz, for sure.

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Brian has been a patient friend today as he navigated us around the city. From time to time today I am sure that all fans wish we could just fast-forward through the day and get on with things, but that said feeling the buzz in the host city is always pretty cool, and wherever you go you hear conversations about the festivities tonight.

One more job before the broadcast tonight – the final napkin of death. Once again we will be ranking from 1 to 26 – to determine the winner. We’ve not used the jury method until this year, usually selecting our top ten and a winner. Let’s see how we go! Do you own and #JoinUs!

In the meantime, get the drinks and nibbles sorted and I’ll be back with our jury result before the start of the grand final…

😀

 

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It feels like skuba duba dabda dididaj, skuba duba dabda dididaj…

It really does!

Those wise words are from the chorus to the Danish Entry, and they are inescapable this week, as you would expect. Walking down the street everyone is singing  “skuba duba dabda dididaj, skuba duba dabda dididaj, I love you”. Fans, kids, teens, me! I mean *everyone*. The song is really, really catchy, which makes me think that there’s a real possibility that we could be back in Denmark next year. It does sound and look like a Bruno Mars song, so the instant familiarity will be useful for those hearing the song for the first time tonight. And when you see it, the now familiar theme of togetherness and inclusivity is there for all to see…

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The dress rehearsal on Friday afternoon was fun. You will enjoy the flow of songs (hopefully now familiar to you all). It was the first full run through, and this year all 26 acts take to the stage at the start of the final. Here’s ‘our Molly’ taking to the stage…

2014-05-09 14.22.08For this rehearsal I was down in the standing area. I had a great view of the artists, with Molly standing next to me on the plinth with the other acts, including the Dutch act The Common Linnets. I wished Molly good luck and she seemed genuinely chuffed. Molly looks great, and styled a bit like Barbarella (to the left below)…

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Great news for Molly is that she will be the last song of the night. What better way to finish the performances, ahead of the public telephone vote, than with the main sentiment of the song – “Power to the People”.

The Icelandic song has grown on me this week. Pollapönk have been great fun this week, I hope they do well tonight, but if they don’t then they have made their point. As the lyrics suggest, “let’s do away with prejudice, don’t discriminate, tolerance is bliss”. Right on, Pollapönk!

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For fans of the Polish entry, the churning girl didn’t break character throughout the performance. There was a scramble in the pit for a photo. And a man behind me taking far too much interest…

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Our diva of the moment got a great reception once again. As I type this entry Conchita (Austria) is now second with the bookies…

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One of the things that the host broadcaster, DR, have got right this week is the trio of presenters. They’ve got natural chemistry, and they seem really into the competition. We have noticed that their script is constantly changing from rehearsal to live broadcast. In the dress rehearsal for semi one there was a skit about the rivalry between Denmark and Sweden in the Contest. This didn’t make it to the broadcast – perhaps we’ll get it on Saturday night. Lise, Pilou and Nikolaj have done a great job…

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Sweden’s Sanna Nielsen has also done an amazing job performing her entry. I haven’t heard a bum note all week. The staging is great, and the song does everything it needs to to blow you away at the end. Sanna is currently the favourite to win. That’s great for her in this highly competitive field…

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Could Sanna be our winner? I’m finding my loyalties are pulled in all directions. I want Molly to win for the UK as this is the best song we have sent to ESC in years. Sweden is classy, but they won two years ago, so is it too soon? Austria is a great package all round, Denmark’s song is one of the best, The Netherlands is awesome too. Etc, etc. Europe has a big decision tonight, and it will make one.

Here is the full running order for tonight:

  1. Ukraine – Mariya Yaremchuk with Tik-Tock
  2. Belarus – Teo with Cheesecake
  3. Azerbaijan – Dilara Kazimova with Start a Fire
  4. Iceland – Pollapönk with No Prejudice
  5. Norway – Carl Espen with Silent Storm
  6. Romania – Paula Seling & OVI with Miracle
  7. Armenia – Aram MP3 with Not Alone
  8. Montenegro – Sergej Cetkovic with Moj Svijet
  9. Poland – Donatan & Cleo with My Slowianie – We Are Slavic
  10. Greece – Freaky Fortune feat. RiskyKidd with Rise Up
  11. Austria – Conchita Wurst with Rise Like a Phoenix
  12. Germany – Elaiza with Is it right
  13. Sweden – Sanna Nielsen with Undo
  14. France – TWIN TWIN with Moustache
  15. Russia – Tolmachevy Sisters with Shine
  16. Italy – Emma with La Mia Città
  17. Slovenia – Tinkara Kova? with Round and Round
  18. Finland – Softengine with Something Better
  19. Spain – Ruth Lorenzo with Dancing in the Rain
  20. Switzerland – Sebalter with Hunter of Stars
  21. Hungary – András Kállay-Saunders with Running
  22. Malta – Firelight with Coming Home
  23. Denmark – Basim with Cliche Love Song
  24. The Netherlands – The Common Linnets with Calm After the Storm
  25. San Marino – Valentina Monetta with Maybe (Forse)
  26. United Kingdom – Molly with Children of the Universe

On Danish television already today there has been a morning of documentaries about the production of the show, and as I type there is a re-run of the semi-finals for the rest of the  afternoon – it’s nice to see it on the telly!

More chat from me ahead of the final later, but for now it’s all about a trip to see the little mermaid. I love that film…

😀