Here lies the second in my series of posts on Edge Hill’s English and Creative Writing course’s ‘best bits’. Today I’m all about the poetry modules, which have all been great and it’s hard to pick out any single moment that’s better than the rest. I think the most memorable moments were at the start and the end of the three years to be honest, but that’s not to say that the second year was sub-par!
In fact, the second year had a well-structured and very inspiring look at different types of sensory poetry. That is to say, we looked at poetry for the ear, poetry for the eye, ‘mind poetry’ (based on unmediated thought, rather than self-censoring) and more. Looking at these different ways of writing poetry not only leads you to enjoy other poetry more on other levels, but also gives you a confidence about writing that is invaluable.
Even more striking than that though, was the module where it all kicked off: first year poetry. I think it could quite easily be described as explosive in the sense that a whole load of preconceptions and things I thought I knew were just blown out of the water. The enthusiasm of the tutors really was infectious (and they maintain that enthusiasm for the whole three years, believe me), and thought the attitude of a lot of people has been that poetry is their least favourite type of writing, I think we’ve all enjoyed poetry more than we thought we would based on their support.
I’ve talked about the ‘Experimental Writing’ module from the third year before (I’m sure you love my writing so much you’re dying to check it out, so here y’are http://blogs.edgehill.ac.uk/martin/2012/02/12/the-forefront/), and I think it just gets the top spot for the best moments of the poetry part of the course. If the first year was explosive in dispelling myths and injecting energy, the third year has gone above and beyond. The look at different sensory poems has been developed in the sense of looking at new ways of performing and new ways of looking at the world and how that feeds into your writing. For example, using other people’s work to make a new poem is explored very thoroughly, and though you may be reluctant to enjoy poetry, this module will seem like something else.
Again, I’ve loved every minute of what Edge Hill’s offered me, and I don’t see how anyone else could fail to!