Creative Resilience and going OFFLine during Lockdown

As part of Voluntary Arts’ Creative Network, I was recently invited to talk with Nick Ewbank, Chair of ISR’s External Advisory Group, about everyday creativity in the context of the response to COVID-19. In particular, we were looking at David Gauntlett’s definition and how he emphasises the idea of ‘making is connecting’, and advocates the importance of the internet for creative people.

Nick subsequently published his own compelling, and more nuanced, understanding of everyday creativity and its potentially vital role in helping to heal the damage done by the lockdown, in an article last week for Arts Professional. In calling for a paradigm shift, Nick argues that the ‘initial goal should be to reach a shared, science-based understanding of the central importance of everyday creativity in our lives’.

Certainly, the cultural sector has done much to try to support people through what has been a distressing period, if we consider the ways in which theatres, museums, dance companies and musicians inter alia have made their work available for free online. However, the way people have applied themselves to creative challenges at home, supported by various initiatives such as Voluntary Arts’ Get Creative at Home or Fun Palace’s Tiny Revolutions of Connection, is potentially more significant, most especially because not everyone has access to the internet or smart technology. If nothing else, what the pandemic has laid bare is the stark digital divide that pertains in the UK; wherein large swathes of the population remain isolated, unable to benefit from these online cultural resources and opportunities.

In my own recent article with Tristi Brownett, we argued that community cultural festivals can be important generators of wellbeing through their ‘collective effervescence’. Even if physical distancing means festival spaces are not open to us at the moment, community initiatives are heartwarmingly proving that people are not socially distanced. They remain collectively effervescent, and creative in their resilience. The Leigh Film Society volunteers, for example, have been busy delivering orange bags containing DVDs to families who do not have access to online streaming services. Meanwhile, in Leeds, Mini Playbox is a community partnership project between artists distributing boxes of creativity, activities and fun during lockdown. The emphasis here is on OFFline activities for families and individuals within communities, and this is happening within communities all over the UK.

The value of everyday creativity, both online and off, should be at the heart of a resilient, sustainable, caring society that supports, protects and nurtures the health and wellbeing of all its citizens.

Prof Owen Evans is a Professor of Film in the Department of Media at Edge Hill University.


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