Theatre in Liverpool and 96/27 Review!

Hey all! My last few posts have been around the topic of the performances you can see on campus at the lovely Arts Centre on Campus. I will link these below:

The Arts Centre Box Office and the Red Carpet Review!

Interview with the Red Carpet Cast: Employability and Edge Hill’s Future Opportunities

But one of the things I haven’t mentioned yet are the amazing opportunities within Liverpool to experience all kinds of the best and bravest theatre and music! There’s the Liverpool Empire Theatre, which hosts the likes of War Horse and Circus of Horrors, the Philharmonic Hall, which hosts the likes of Islands in the Stream and Jake Bugg, and even more. One of the best things about Edge Hill being close to Liverpool, a well known city in Britain, is that you get to involve yourself in this amazing culture.

Not only are there these shows for those interested in theatre, but there are also always some amazing independent performances going on too from local creatives. I had the chance to see one of these today, so I wanted to give you an idea of what is on offer. The performance I saw was Rachael Mutch’s 96/27; a harrowing account of the Hillsborough Disaster, its effects on the survivors and the media coverage, through the eyes of one of the survivors.

 

Mutch brilliantly used a mixture of video projection of the footage from the day the disaster happened and dialogue based on a real life experience of being in the standing area of the grounds where the awful crushing happened. The whole performance was very immersive; firstly, the performance took part in one of the changing rooms in the sports centre of the University of Liverpool, a very small space with astro turf on parts of the floor and scarves hanging from the hooks around the room, which made it feel very personal, everything Mutch said felt very direct and made the experiences she was explaining hit me ten times harder. There were moments were she would hand scarves to the audience or hold a hand, and the atmosphere this created and influenced was one of the strongest I’ve seen in a performance.

One of the things I loved so much about the performance was how it focused on not just what happened on 15th April 1989, but the media and its impact on the survivor, quoting and projecting some of the disrespectful things that were said about the Liverpool fans at the match and showing the anger the survivor feels at being portrayed in such a way across the UK. Mutch also focused on the effects of Post Traumatic Stress Disorder that followed the survivor she was giving a voice to and probably a lot of those who were caught in the events that took place that day, putting across the important message to the audience that, although these survivors weren’t physically hurt in the way that those who sadly died were, they were and might still be mentally suffering.

96/27 is an excellent biographical piece which focuses on a local event that took 27 years to get the justice for the victims that it deserved. Performances like this are what create much needed and important conversations in those who see them and in society. One of the amazing things about this particular performance, also, is that Mutch is a graduate of Edge Hill and actually developed this from her dissertation piece, so it goes to show that the work here at Edge Hill really does lead to amazing places.

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